LKG Movie Synopsis: A small-time politician aspires to turn out to be the chief of the state. Does he succeed?
LKG Movie Review: LKG opens with Lalgudi Karupaiah Gandhi aka LKG (RJ Balaji), who’s about to be sworn in because the chief minister, getting shot. The movie then goes again in time to relate how LKG, a councilor within the small city of Lalgudi, managed to get elected because the chief minister.
LKG is usually a satisfying political satire and inarguably the perfect among the many current crop of political movies. Its success lies in how effectively it manages to strike a steadiness between idealism and cynicism, and displays the angle of the widespread man in the direction of politics. It manages to attain this due to the characterisation of its protagonist, LKG. He will not be in politics for the folks, however for himself. In an early scene, he’s seen worshipping Amaidhipadai Sathyaraj, Mudhalvan Raghuvaran and Vijay Mallaya. He is street-smart (his costume is a black shirt and a saffron veshti!) and bold. In the early scenes, we see how this under-30 man has managed to turn out to be a councilor. He understands that individuals purchase it when an individual sells them idealism.
He realises modern politics is run by the corporates, and seeks the assistance of a Cambridge Analytica-like agency, headed by Priya Anand, to turn out to be a state-level politician. And quickly, he turns into a speaking level on nationwide information. This wins him the appreciation of Bhojappan (Ramkumar), the deputy chief minister, who’s taking good care of the state following the hospitalisation of the present chief minister. When the latter dies, Bhojappan decides to discipline LKG within the ex-CM’s constituency within the by-elections, however then, they’re up in opposition to Ramaraj Pandian (JK Riteesh), their very own social gathering man, who holds the constituency like a fort.
LKG is an RJ Balaji present all the best way. The actor, who can also be the author, comes up with a script that makes use of modern political, movie and social media references in very good vogue. From a chief minister’s hospitalisation, memorial drama and Marina protests to IPL, Bigg Boss, Thala-Thalapathy fights and even YouTube reviewers, nobody is spared. At the identical time, in contrast to a movie like NOTA, LKG isn’t content material to coast alongside on the references alone. It has components of a masala film, with a cat-and-mouse recreation between the protagonist and the antagonist, relationship drama within the type of a father-son angle (Nanjil Sampath performs the dad), and the best of a social consciousness film (the climax speech). But even the preachy monologue ultimately comes with a wink. The solely misstep is a force-fitted romantic angle that’s fortunately lower quick as quickly because it begins.