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Valimai Movie Synopsis: An excellent cop tries to trace down the mind behind a sequence of robberies and murders, however issues flip private when his household change into pawns within the felony’s recreation.

Valimai Movie Review: H Vinoth begins with a sequence of chain-snatching incidents and a theft dedicated by masked males on bikes in Chennai. The public is up in arms towards the police drive, who’re clueless. In an inner monologue, the police chief needs for an excellent cop to stop such crimes. The motion then cuts to Madurai, the place a temple procession is underway. And so is a homicide plot. And then we’re launched to ACP Arjun (Ajith Kumar), the movie’s protagonist, whose introduction is intercut with scenes from the procession. Like a God who’s held up excessive, we see this character being rising up from the depths (right here, from inside a automobile). In quick, a whistle-worthy hero-introduction scene.

Arjun will get posted to Chennai and begins investigating a suicide case that appears to be associated to a bigger crime that’s afoot. As he begins to trace the case, he realises it’s linked to the chain-snatching and drug-smuggling instances from earlier than. But when the gang’s mastermind (Kartikeya Gummakonda) realises that Arjun is on to him, issues flip right into a harmful cat-and-mouse recreation, by which Arjun’s household change into pawns. Can Arjun save each his household and the town from this harmful felony?

It’s a conflict between stunts and sentiment in Valimai, a considerably partaking however overlong motion film that hides its simplistic writing with elaborate motion set-pieces. We hold getting a way of Vinoth making an attempt exhausting to strike a stability between making a gritty motion film and satisfying the calls for of a star car. Despite the scope for rooting the motion scenes in emotion, the movie is content material with treating them as simply standalone set-pieces. We see this strategy clearly within the superficial method by which the movie offers with its secondary characters and their relationship with Arjun. They are primarily one-note – loving mom (Sumithra), drunkard brother (Achyuth Kumar), supportive colleague (Huma Qureshi, who will get one kickass second after which is relegated to being a sidekick) – or worse, caricatures – corrupt cop (GM Kumar) tattoo-sporting, Goth-like villain’s girlfriend. Even the arc of a dejected brother (Raj Ayyappan) who goes rogue is not constructed convincingly. This is why the movie feels much less impactful when we aren’t in the course of of an motion sequences.

But Vinoth makes up for this with the stunts, that are principally big-screen spectacles which can be beautifully choreographed (Dhilip Subburayan is the stunt choreographer) and are undoubtedly the movie’s spotlight. A motorbike chase within the pre-interval portion and a chase involving a bus, a truck and lots of bikers within the second half are positively edge-of-the-seat stuff.

Ultimately, Valimai is a battle between good and evil. There are clear analogies to Batman. Like that masked superhero, Arjun, too, does not consider in killing criminals to eradicate crime. We usually see him wearing black, together with his face hidden beneath a helmet, particularly when is taking over the dangerous guys. He, too, is up towards an anarchist who does not consider in society. And at one level, he faces a state of affairs the place he has to decide on between saving his family members and the lives of the general public.

And Ajith performs this function like a superhero. He lends credibility to the stunt scenes and tries to raise the opposite scenes together with his star energy. There are occasions it really works (a scene in jail when he has to interrupt somebody’s arm) and occasions when it does not (the monologue within the climax). But there is no such thing as a denying that it’s his presence that holds collectively this two distinct tones of the movie.