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Susienthiran is one director who does not confine himself to any explicit style. He comes up with a shock motion thriller after giving successful business entertainer in fast succession. Sometimes his plan works out and generally it does not. In his newest outing with Jai, Veerapandiyapuram, the director has all the required parts and twists for an honest rural motion drama, however falters in getting the combo proper.

The set-up of the movie preps us up for an enticing drama stuffed with revenge and remorse. However because the movie progresses, the plot faces a number of deviations and it turns into robust for us to empathise with the lead characters.

In the very first scene, we’re launched to Rathnasamy (Sharath Logidas) and Chelladurai (Jayaprakash), the heads of two rival teams in Veerapandiyapuram, who’re ready for an opportunity to hunt revenge on one another. The lack of lives in each their households has brought on unrest among the many two teams for years and each males are out for blood regardless of intervention by many officers.

Next, Venba (Meenakshi Govindharajan), Rathnasamy’s daughter falls head-over-heels in love with Siva (Jai), who claims to be an orphan and an artiste by occupation. Knowing her father’s nature, Venba decides to elope with Siva and marry him within the presence of her mates. However, her dream falls aside when Siva stops the marriage and asks her to take him to her father. Siva says that her father would get satisfied if their love is true. When issues appear to be going easily, Siva’s hidden agenda comes because the shock component. At a time once we assume that Siva’s life is at stake, Susienthiran throws in a shock as Rathnasamy is murdered by Siva, with the assistance of Solomon (Kaali Venkat). The second half is all about who Siva is and what truly pressured him to hunt revenge on Rathnasamy and his three brothers.

Susienthiran’s rural drama would have been an fascinating watch if the weather had been positioned proper. However, it appeared just like the screenplay was written swiftly and the songs had been forcibly fitted in, disturbing the narrative’s stream. Even with a run time of simply two hours, we really feel a few songs and struggle sequences within the first half may have simply been skipped.

Jai has debuted as a composer with this movie and has performed an honest sufficient job with the background rating, which elevates a few of the essential scenes and will get us invested within the feelings. However, the film’s writing may have been higher as issues get predictable over time.

The flashback sequences involving Siva and Yasodha (Aakanksha Singh) is one thing we’ve witnessed in lots of films. That mentioned, Yasodha’s characterisation has a goal and the job is completed convincingly by Aakanksha. The depth of Jai’s agony is felt solely in the course of the pre-climax sequence, particularly in the course of the struggle sequence that entails grotesque homicide of Rathnasamy’s brothers. Though Jai’s previous couple of movies did not work properly on the field workplace, his earnest efficiency on this one may win again his misplaced followers. Bala Saravanan’s one-liners do not work a lot on this movie not like in his earlier one, Eeswaran, which was additionally directed by Suseinthiran. However, he makes his presence felt together with his pure efficiency.

Overall, Veerapandiayapuram, may have been a greater movie if the writing was higher with depth within the screenplay.